VideoLAN is not a software, see 1.1 of this FAQ. VideoLAN Server is another product of VideoLAN, but is discontinued since a long time. VideoLAN Client is an ancient name of this product. VLC is the official name of VideoLAN's main product, often named VLC. What are the differences between VLC, VLC media player, VideoLAN Client, VideoLAN Server and VideoLAN? VideoLAN has its own bank account and is fully responsible of this website. VideoLAN is a French non-profit organization. It started as a student project at the French École Centrale Parisīut is now a worldwide project with developers from everywhereĪnd dozens of millions of people using VideoLAN's software. VideoLAN is a non-profit organization, that produces and distributesįree and open source software for video and multimedia purpose, VideoLAN What is VideoLAN? What is the VideoLAN Team? 3.3 When will VLC be able to stream to Chromecast?.3.2 Will VLC be available on Windows Phone?.3.1 Why am I permanently banned from the forum?. 2.2 Where does VLC store its config file?.2.1 Does VLC support DVDs from all regions?.1.6 What should I do if I can't find an answer to my question here?.1.5 Why are your mailing-lists and your website in english?.1.3 What are the differences between VLC, VLC media player, VideoLAN Client, VideoLAN Server and VideoLAN?.1.2 What is the legal structure of VideoLAN?.1.1 What is VideoLAN? What is the VideoLAN Team?.Under the terms of the GNU General Public LicenseĪs published by the Free Software Foundation Įither version 2 of the License, or (at your option) any later version. Permission is granted to copy, distribute and/or modify this document
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But for those who are on the fruitful end of the billing table, an invoice is how you get paid for your products or work. r/videography is not a political soapbox, nor a place to debate politics - there are many other subreddits more suited for that. Politics does influence our industry and discussion of specific policies and legislation that affects the industry directly are allowed. This includes 'sharing' or 'trading' of licensed content or subscriptions. No Piracy or Suggestion of Piracyĭo not use /r/videography to facilitate piracy or suggest piracy of software or assets. If you engage in 'astroturfing,' mentions of your product/service will be permanently blacklisted from the subreddit. Overtly NSFW videos cannot be posted for feedback (sorry!) No Self Promotion, Sales, or Advertisingįor advertising your commercial product, please use ( This includes content marketing, surveys, giveaways, crowdfunding campaigns, and private sales.Ĭorporate accounts are welcome to discuss and recommend their products where appropriate, but affiliation with the company must be made clear. Posts regarding sex work are moderated more strictly. There are sectors in this industry that deal with partly or wholly NSFW content and discussion of such production is welcome however please assume that this subreddit is browsed by professionals in their workplace. You are expected to comply with Reddits' Content Policy. Please remember that /r/videography is a subreddit for people of all skill levels. Subreddit Rules Be respectful of other users / No Gatekeeping / Comply with Reddit's Content Policyīe respectful of other users Intentionally inflammatory, racist, sexist, homophobic, transphobic, or otherwise non-contributing offensive content will be removed and may result in a ban without warning or recourse. Vegas - /r/vegaspro - ( Subreddit Rules).Premiere - /r/premiere - ( Subreddit Rules).Final Cut - /r/finalcutpro - ( Subreddit Rules).Davinci Resolve - /r/davinciresolve - ( Subreddit Rules). After Effects - /r/aftereffects - ( Subreddit Rules).These subreddits are not run by /r/videography mods, please check their rules! Questions regarding editing applications with their own active Subreddits will be removed and redirected. r/videography is focused on the production side of video work. Our guidelines for posting can be found here. r/videography welcomes you to post videos you have made for feedback, though we do have restrictions and limits on what can be posted. In order to cut down on spam posting, all posts made by users without a user flair are held for manual review before publishing. Please read this post BEFORE making a post asking for a camera recommendation. Posts asking questions covered in the wiki will be removed! Camera Recommendations We maintain a wiki for frequently asked questions - check before you post as your question may already be answered. I’ll share my thinking as I move through the shot matching process and in the next Insight, we’ll take a look at FCP X’s color match tool and how best to use it./r/videography Discord (click here!) Wiki and FAQ (click here!) Why? Automated features (in any software) will always fail us, eventuallyīut in this Insight, we’ll explore all the tools available to us. Of course, we’ll tackle how to use the automated Shot Match feature in Final Cut Pro X – but it’s a mistake to solely rely on that tool. In this Insight, we’re going to focus on the built-in toolset of Final Cut Pro X… which is the fundamental rule for this Desert Island Challenge. What tools are available to help us Match Shots in Final Cut Pro X? In colorist parlance, when we match shots together we may be making broad Primary Corrections or much more isolated and targeted Secondary Corrections… or a mix of both.īut as we did in the first three parts of this series we first have to ‘firm up’ the individual shots and fix their overall problems before we can decide what mix of Primary and Secondary tools we need to get our shots to match each other. Shot Matching is about both ‘overall fixes’ and ‘targeted fixes’ Once we’ve gone ahead and fixed the ‘big problems’ (bad color temperature, improper exposure, etc) we then have to get our shots to match each other. Remember… Primary Corrections are about fixing overall image problems We’ve taken that understanding to help us understand how to attack our Primary Corrections. In this Desert Island Challenge, we’ve taken an in-depth look at the image processing pipeline of Final Cut Pro X. The Desert Island Final Cut Pro X Color Correction Challenge: Part 4 How to Match Shots in Final Cut Pro X: The Tools Tutorials / FCPX Desert Island Challenge / How to Match Shots in Final Cut Pro X Series For filing cabinet of documents in your home office, a £5 lock will likely be up to the task. How much do I need to spend?įor budget, the value of whatever you need to protect is always a decent guide. This can be bad for security – you only need one key to get access to several doors, drawers or lockers – but it’s a plus when it comes to convenience. It’s also possible to find packs of padlocks that are ‘keyed alike’, meaning that they all open with the same key. Some high-end padlocks even come with a restricted key, which locksmiths will refuse to duplicate without evidence that you’re the owner. The more pins, the harder it is for the lock to be picked or the key to be duplicated. If you do go for a padlock with a key, look for one with four or more pins – the tumblers that keep the lock from opening until it’s turned with the right key. It also means there’s no need to get key copies cut, and there’s no danger of losing the key – do make sure to remember the combination, however! Traditional key designs are more conventional, but a combination lock is ideal for situations where multiple people need access to the same lock. READ NEXT: The best wireless alarm systems for home security Should I go for a combination lock or keys? You won’t see much benefit from a top-tier padlock if you pair it with a sub-par hasp or staple that can easily be cut or pried away from the frame. The staple is the metal hoop that’s usually attached to the door frame, while the hasp is the flat, hinged strip of metal on the door itself that you fold over the staple before attaching the lock. In the case of gates and shed doors the accessory components are usually going to be a staple and a hasp. Your padlock is only as secure as the weakest component it’s attached to. Buying an independently tested lock will give you the assurance that it’s sufficiently secure for your given application, and you may also find that some insurance policies specify certain lock ratings in order for you to be covered. For example, CEN grading runs from one to six (with six being the most secure) and is based on how easy a lock is to cut through, how long it would take to pick, and how strong the lock is while being pulled and twisted. Each testing body has its own grading system. Seal of approval – For a locking up items of particular value it may be worth looking into a lock with an endorsement from one of the independent testing bodies, particularly “Sold Secure” (owned by the Master Locksmiths’ Association), “Kite Mark” (owned by the British Standards Institute) and the European standard, “CEN”. Padlocks with minimal shackle exposure, or locks that shroud part of the shackle within the body of the lock are far tougher to cut into. A large, exposed shackle presents criminals with the opportunity to go at the lock with cutters. While shopping for a padlock, for the most security, you will want to pick up a model where the shackle is mostly hidden or shielded. Shackle – The shackle is the hoop section at the top of the lock. Note: Total P (mg/L as P) x 3.066 = Total mg PO₄/L Note: Total PO₄ (mg/l as PO₄) x 0.3262 = Total P Table 3 | Anion-Cation Balance: Acceptable Differenceĭealing With Common Conversions (Nutrients) and Calculating Loading Convert Total PO₄ to Total P Standard Methods for the Examination of Water and Wastewater 18th edition recommends the following guidance: The guidance on the Acceptable Percent Difference is a function of the Anion Sum. If the difference were 2 % or more, it would be very wise to conduct some additional testing. Since the difference is < 2 %, this does strongly suggest the quality of the data is good. In the example above, the percent difference between the sums of the cations and anions is positive which might suggest that a minor anion is missing. Some significant ion was not included in the testing or the lab made a mistake and reported an incorrect result (something that happens surprisingly often even in certified labs). If there is a difference, especially if it is a large difference, it means one of two things. Ideally, there should be no difference between the sum of the cations (mEq/L) and the sum of the anions (mEq/L). Table 2 | Cation Anion Balance - Results and CalculationsįIrst calculate the Sum of the Cations - Sum anions (SA) or 3.77397 - 3.67496 = 0.102437. This is an example of a cation-anion balance Water should be electrochemically neutral and you can use the cation and anion mass balance approach to get some idea of the potential quality of your data and attempt to understand if you are missing any specific large grouping of cations or anions. Reasons using mEq/l and expressing results in this unit is useful Reason #1: Cation and Anion Mass Balance If the specific gravity of the solution is not 1, the following is the relationship: A usually good approximation for fresh water is that it has a density of 1 mg/L or a specific gravity of 1. Since specific gravity is the density of a liquid divided by the density of water at 4 ☌, it has no units because they cancel out specific gravity is just a number. Specific gravity is the ratio of a liquid's density with that of water at 4 ☌, the temperature at which water is most dense, and is 999.974 kg/m3 or 0.999974 mg/L (1 mg/L = 1000 kg/m3). Density is defined as mass per unit volume, like mg/L or kg/m3 (the international standard metric unit). Note: specific gravity is related to density but they are not quite the same. For example, it is about 1.025 for sea water. The specific gravity of water is usually assumed to be ~ 1 but this can change because of temperature and amount of dissolved ions. In fresh water systems, 1 mg/L is equivalent to 1 ppm, but when the specific gravity of the solution is not 1 this is not valid. Convert from mg/L to mEq/L (milliequivalents per liter) This workstation is one of the most versatile and mighty synthesizers ever. Professional testers from various audio-magazines are convinced that Icarus is an epic synthesizer and a must-have for producers. Icarus ships with 1600 hand-picked patches created by professionals. The award-winning audio-engine provides a gigantic sonic range, offers true high-end sound quality and creates a wide range of sounds impossible with other synths. Most synthesis types can be combined freely to create new and exciting sounds.Icarus is an extremely powerful synthesizer-workstation. Gladiator is a very powerful synthesizer, which supports an exhaustive list of synthesis methods. Fixed a possible crash when the splash-screen was opened during closing.Fixed a possible bug with ‘static’ loop mode.The timing in 44Khz and 48Khz could have been out-of-sync if large block-sizes were used.Some sound categories have been renamed.Enhanced hardware compatibility for midi program changes.On the Mac support files are now stored in /Library/Application Support/Tone2/Gladiator3_data/.Manuals in PDF format and Gladiatorskin.txt have been moved to Gladiator3_data.The envelope’s fade parameter now works as expected with long attack times.Renamed some parameters to be more consistent with the industry standards.Loading and saving banks can now be accessed with a new menu called ‘load’ and ‘save’.Step speed is set to 1/1 BPM after initializing a patch.Added messages boxes with info for some possible errors.Program name and file name are synced after saving a patch.After loading patch names are derived from the fxp file name.Manuals on the Mac now can be opened from within the plugin.Double-clicking a knob or slider resets it to the default value.Mousewheel support for knobs and list selectors.The parameter info display is able to show longer texts now.The updated credits can be shown by clicking on help menu.The version number now can be also shown from within help menu.Renaming a preset is more straightforward.Registration screen is now also available in German.The envelope’s attack, decay, and release time is displayed in seconds.Re-rendered the old GUI with sharper texts.All effects do come with default settings now and are more useable.The late-reverb-tail of ‘Reverb ultra’ sounds less detuned.The late-reverb-tail of ‘Reverb large’ sounds less detuned.The late-reverb-tail of ‘Reverb small’ sounds less detuned.The new ones are more subtle and sounds less ‘detuned’. Replaced all micro-tuning algorithms with a better ones.More precise timing for all sample-rates.More linear frequency response for oscillators playing below 100Hz.Updates and additional sounds can be accessed directly from the help menu.Video tutorials can be shown from the help menu.Added cross-product-compatibility: Save->’Export…’ exports the sound of osc1 as an Icarus compatible wavetable in wav format.Extended halftone-range for the arpeggiator from -23 to +23.Information tags about the patches are shown in the patch browser.2 additional phase-modifiers “Odd 90” and “Even 90”, which sound like a sub-oscillator.2 additional phase-modifiers “Odd noise” and “Even noise”, which noisify the spectrum.3 additional phase-modifiers “Boing”, which sound like a reverse laser.3 additional phase-modifiers “Zzzap”, which sound like a laser.
Option to use the wild card wisely to increase your chances of completing a round. If you feel you are stuck in middle then you can use undo button but only allows one undo at a time. Plan your strategy for all the deck of cards to clear and win the level. Click on the next card that is higher or lower in sequence, all you have to make a sequence of games, where you have to place higher or lower order cards on deck with the next coming cards. Each time you complete a layout, you will move on to the next round of the game and begin again. All you have to do in this online solitaire game is to clear the three towers of cards to win a level, game rules are very similar to regular tri peaks solitaire. The key to scoring high in this game is to finish it quickly.Magic Towers Solitaire is a fun Solitaire game. You also score points for how much time you have remaining, with each second you have remaining when the level is complete being worth 50 points. You also gain 10 points for each time you use a free cell. ScoringĮach card moved from the tableau to a foundation is worth 10 points. Remember that only Kings can be moved to new columns on the tableau, so it may not make sense to combine some card runs if there are no face down cards underneath those columns. If you have two tableau columns you can play from in most cases it is better to move cards off of the stack with the most face down cards underneath it. If you have a choice between using cards from the reserves or the tableau it is usually best to play the cards from the tableau until all of them are turned face up. Try to leave most of the free cells empty most of the time other than when you need to briefly use them to re-organize other cards. Try to uncover the Aces quickly and create open columns on the tableau early. Once a cell does not contain any cards in it you can then use the cell again. Cards in the cells can be moved to the foundation piles or back to the tableau piles, if possible. The top card of any tableau pile can also be moved to any Free Cell.Įach Free Cell may contain only one card. Only one card at a time can be moved (but you can move group of cards in the proper sequence if you have enough free cells and/or empty tableau piles).Įmpty columns on the tableau can be filled by Kings or any sequential run of cards which starts with a King and alternates suit colors. You can build tableau piles down in descending order while alternating colors. The top cards of tableau piles and cards from the Free Cells are always available for play. You can use the undo move button up to 3 times. Underneath those data points there is a pause button, a button to turn autplay of cards to the foundations on or off, an undo move button, and buttons to control game sounds and game music. All other game controls are in the right column.Īt the top of the right column it shows your current score and your remaining time. The bottom left corner of the game has a button to enter full screen mode. Only Kings and stacks of cards which start with a King can be moved to an open column on the tableau. Use the free cells to temporarily store cards when you are stuck. You can shuffle through the reserves an unlimited number of times & you go through them in turn 1 fashion.Ĭards on the tableau can be played in descending order while alternating suit color, then build up the four foundations by suit. You have 7 minutes to move all cards to the foundations.Ĭards are dealt onto the tableau like traditional Klondike, but the game also has 4 free cells at the top. This game is a fusion of Freecell and Klondike. Play Freecell Klondike Solitaire Card Game Online for Free With No App Download Dealing An illegal substitution is called when the team has exceeded the number of substitutions allowed per game or if a player is replaced with an unregistered player. If a player is disqualified during the game, they also must be substituted, but if the team has no substitutions left, the team must play with one less player until the next legal substitution is permitted. The exception substitution does not need to be signaled by the coach, but it must be recorded on the score sheet. If a player is injured during the game, they can be substituted, but if the team no longer has any legal substitutions left, the coach can use the “exception substitution.” In this case, the injured player can not join the game at a later time. Players may not change their original rotation through substitutions, so they must be substituted in their original position when rejoining the game. For example, a substitute for an attacker must enter the game as an attacker, a setter’s substitute must play the set as a setter, and a blocker must be replaced by a blocker. Only the first and second referees are allowed to blow whistles during a match. Slide share of Hand signals of Volleyball. Proper Procedural Rules for Volleyball Referees. In volleyball, the role of the referee is to ensure that the rules of play are followed and to signal any infractions. Volleyball Referee Hand Signals Can you name the Volleyball referee hand signals By vbcoacher. Who blows the whistle in volleyball The referee blows the whistle to signal the start and end of each play. This signal shows the teams which team will serve next. c) Demonstrate the hand signals used by referees. As a first referee, when you see the ball is out of play or there is a fault, always whistle first. b) Practice the hand signals for used during the actual volleyball game. When replacing a player on the court, a substitute must also enter the game in the same position. Objectives: a) Read and understand the hand signals given by the referees during the actual game. Referees may also use whistles or other audible signals to get players’ attention in order to communicate with them more clearly. The volleyball substitution rules state that a player can be substituted only once per set, and six players can be substituted per set. This player may re-enter the game during a later set. An illegal substitution in volleyball occurs when a substitution does not follow the rules for a standard substitution in a volleyball game. The referees must indicate with the official hand signal the reason for their whistle (the nature of the fault whistled or the purpose of the interruption authorized). |
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